I do not own anything in this video, all rights reserved by Sleep and their label. © 2021 Does It Doom? The sound is very much inspired by the masters i.e. Also, while most heavy doom draws its appeal from slow, swampy brooders which eventually transpire into sped up halcyon moments, Sleep is a master at revving up the unsuspecting listener with fast cavalier riffs and fat, wonky bass lines prior to ruefully slamming on the brakes, thus attaining a zenith of a diametrically opposed sort; namely, a Zombie-like ziggurat of dredging incremental guitar riffs and concordantly poised drum beats such as at 04:43 of said “Evil Gypsy/Solomon’s Theme”. There’s some great doom metal. “Inside the Sun” has some of the only fast riffing on this album, but fear not, my fellow weedians, inside is a land of anachronistic molten sludge that will flatten any memory of earth. You start off with plenty of purpose and seem to know where you want to end up, sometimes moving at a fast pace, then you wander confusedly around for nearly a quarter an hour, before finally slowing to a crawl as you return to outer space, first 'Inside the Sun' and finally finding yourself looking back at Earth 'From Beyond'. Al knows how to deliver the damn best vocals too. Like I said earlier, they belong together. “Dragonaut” blasts us off into this red-eyed universe far away from the mundane and banal earth of trivialities and meaningless routine shite. If you have ever seen the movie Gummo, “Dragonaut” sets the musical score as the two quasi-humanoid beings on bicycles propel themselves into the void that is that movie. If anything, Sleep’s Holy Mountain is not only a doom lover’s wet dream but also a cornerstone of the genre where it all started for this heavy metal narcoleptic. It's a breakdown, it's doomy, it's a doom break). "Sleep's Holy Mountain" is a great album that recalls the old swing beats of early heavy rockers like Nazareth, truly one of the most underrated bands ever, of … Most of you will probably already know this piece of music very well. This album ends with the other instrumental, "Rain's Baptism". You can remember the sensation a little, but not many specific parts about the dream: maybe the part with the dragon, maybe the part where you went underwater with the 'Aquarian' theme, though nothing was unpleasant exactly, a satisfying dream, the kind of dream you might like to have again - no rush however. For that matter, “The Druid” could be Sleep’s mythical and magical answer to “The Wizard” from 1970. https://youtu.be/uD9q3IGfloU. The second half is slower and the songs are longer. Marler departed the band afterwards and the remaining trio recorded the group's follow up album, "Sleep's Holy Mountain" the following year. Going along with that, the band format has its own set of tweaks. For whatever good ideas are to be found here, there was another band doing the same thing more coherently and engagingly than Sleep. This is kind of strange because on the back there's also a gap between "Aquarian" and "Holy Mountain". The Druid 05:4303. But one can see why the editors of ‘Gummo’ cut the intro when using this song in their film. Matt Pike of course is the driving force again with this three piece, at once ultra heavy and spacey. I'll never forget when, while suffering a negative cash flow, a hoity-toity used record shop employee in Montreal's hipster Plateau Mont-Royal borough scoffed and furrowed his nose as I regretfully proffered it for sale. If you don't have this, head to bed and pick it up first thing in the morning. I’d even hazard to say, at 02:18 following a pregnant pause the track gleefully breaks out into a late “Electric Funeral” sounding jam which feels like a forgotten studio session from the quintessential Paranoid. Weak moments? Never mind - this is a good recording that balances enough doom metal and a poppy song-writing direction to appeal to an established fanbase and first-time listeners. A power trio consisting of bassist/vocalist Al Cisneros, guitarist Matt Pike, and drummer Chris Hakius, Sleep blends its instrumental voices in such a way that the … Groups like Trouble, Saint Vitus, and Candlemass were unambiguously inspired by Master of Reality and Sabotage, but they pushed the boundaries of darkness, melancholy, and tempo to extremes never realized or even attempted by the downtuned blues Brummies. 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